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Paul Signac The Jetty at Cassis, Opus Date 1889(1889)
Medium English: oil on canvas
Dimensions 46.4 x 65.1 cm (18.3 x 25.6 in)
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Paul Signac LHirondelle Steamer on the Seine 1901(1901)
Medium Oil on canvas
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Paul Signac Le boulevard de Clichy 1886(1886)
Medium Oil on canvas
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Paul Signac Railway junction near Bois Colombes 1885-1886
Medium Oil on canvas
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Paul Signac The Jetty at Cassis 1889(1889)
Medium English: oil on canvas
Dimensions 46.4 x 65.1 cm (18.3 x 25.6 in)
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Paul Signac Beach at Saint-Briac By Paul Signac 1890(1890)
Medium : Oil on Canvas
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Paul Signac By Paul Signac 1909(1909)
Medium : Oil on Canvas
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Paul Signac Comblat-le-Chateau, Le Pre 1886(1886)
Medium Oil on canvas
Dimensions 63 x 77 cm
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Paul Signac Comblat Castle. 1887(1887)
Medium oil on canvas
Dimensions 60 x 92 cm (23.6 x 36.2 in)
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Paul Signac Antibes Country of Origin: France
Date of Creation: 1918
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Paul Signac Antibes, Evening Antibes le soir, 1914. Huile sur toile, 73 x 92 cm
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Paul Signac Antibes, the Pink Cloud Date 1916(1916)
Medium oil on canvas
Dimensions 71 x 89 cm
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Paul Signac Antibes Country of Origin: France
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Paul Signac Audierne, Return of the Fishing Boats Country of Origin: France
Date of Creation: 1930
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Paul Signac Avant Du Tub Country of Origin: France
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Paul Signac Bateaux de peche, Lomalo Country of Origin: France
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Paul Signac Breeze, Concarneau Country of Origin: France
Date of Creation: 1891
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Paul Signac Camaret Date of Creation: 1929
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Paul Signac Cap Canaille, Cassis Country of Origin: France
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Paul Signac Cap d'Antibes Country of Origin: France
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Paul Signac
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1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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